Judy Chicago featuring one of the Birth Hood images which made her famous. These painted car hoods redeployed techniques the artist learnt as at auto-body school when she was one woman in a class of 250. The work appropriates a car hood - a symbol of machismo - while bringing female forms to feminise the masculine and establish some gender identity. Published by the Tate Gallery for their exhibition 'The World Goes Pop'. The Serigraph has Spot varnish over the design emulating automotive laquer
